DP Book Review: The Triumph of the Moon by Ronald Hutton
October 20th, 2009
This book is far and away my favorite book regarding the history of modern Pagan witchcraft and also happens to be written by my favorite author on the subject: Ronald Hutton. While I can understand why many modern Pagans may have been offended by his assertions, I truly believe that it is a book that should be read by anyone that has described them self as Pagan. Even if one does not follow the path of Wicca, it is a crucial book to dispel any romantic notions one may carry about the practice: an unbroken lineage of witchcraft which dates back until ancient times, or that in ancient times society was matriarchal, or even that Gerald Gardner possessed a doctorate degree). It’s a dense read in nature, but remains pleasantly absent of the fluff one can expect to find in many modern Pagan books. It is an honest work of historical literature.
Hutton has established a high standard of scholarship in Pagan research that was regrettably absent from previous works whose authors have attempted to write on the subject. Hutton makes no attempt to pander to anyone; he neither romances modern witches, nor does he condemn them for their practices to appeal to the common reader.
The book itself is divided into many chapters which are grouped into two large sections: Macrocosm and Microcosm. The Chapters which fall under “Macrocosm” discuss the larger pieces of the witchcraft puzzle. They discuss how the modern pagan movement started in the hearts of poets and romantics who longed to return to nature in order to escape the industrialization of the modern world. Popular poets at the time (Such as Keats and Shelley) were largely responsible for sowing the seeds of naturalism through study and admiration of the Greco-Roman deities. It is through this method that many of the native British deities (and those of ancient integrative texts by the Romans in Britain) became synonymous with those of foreign origin. Chapters discuss how Wicca established the archetypal God and Goddess, how it’s High and Low Magics were constructed, and which folklore and witchcraft figured in to form a sort of patchwork quilt of reconstructed traditions. Together, they set the groundwork for modern witchcraft.
In the section “Microcosm”, Hutton discusses the heavy hitters and founders within the modern Witchcraft movement such as Aleister Crowley, Gerald Gardner, Doreen Valiente, Aidan Kelly, Margaret Murray, the Folklore Society, the Golden Dawn, and many others who worked to establish order and contributed in their own ways to make Wicca an official religious movement. The book goes on to discuss the problems with communication and scholarship, and how sometimes new books were written based upon the fabrications of others which were taken as fact. Over time, a lot of the truths of modern witchcraft had been diluted and legitimacy had been lost.
A sampling of some of my favorite quotes are:
“It is an irony that, by contrast, many modern pagan witches identify themselves much more closely with traditional cunning craft, and yet, despite some linkages (which will become plain later), in their case the differences are greater than the similarities. They have much more in common with the stereotypical images of witches in the nineteenth-century popular culture; the very beings who were regarded as the natural enemies of the charmers and cunning people, representing the opposite aspect of magic.” -page 111
“The overwhelming majority of these have been agnostics, atheists, or individuals who answer to the name of Christian but do not attend church except for rites of passage. When I have informed such people of my research, far and away the most frequent question which they ask of modern witches is not “From what social and economic group are they drawn?” or ‘What motivates them to take up such a spirituality?’ or ‘How does their religion compare or contrast with others?’ or even ‘What do they believe?’ It is again and again, ‘Do their spells really work?’ –page 271
Hutton forces us to re-examine the popular ideas that are presented both from the now-classical works on the occult and challenge many modern perspectives and extract the truth from the lies. It is an especially valuable work in a time in which modern Pagans are plagued with bad stereotypes by misinformed individuals. In order to correct this, we absolutely must come together and review all of our sources for appropriate scholarship and honesty rather than accept the diatribes produced by people with pet theories who use Paganism as their venue to push their agenda. I really appreciated Hutton’s objectivity and unwillingness to soften blows to flawed scholarship, no matter how much they are loved by the masses. In that sense, his serious attempts at establishing real historical scholarship for the Occult and Paganism is both groundbreaking and significant.
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